Sting seems to know exactly how to delight his
audiences, no matter how many shows he plays. The Madison crowd
cheered loudly as the house lights went down and "A Thousand Years"
started up.
Sting kept the audience interested by following
up with one of his older hits, "If You Love Somebody Set Them Free."
The audience remained on their feet for the whole song, even despite
Sting's minor vocal glitch midway through one of the verses. Sting
and the band then segued immediately into "We'll Be Together", another
good crowd pleaser.
Sting waited until "After the Rain Has Fallen" before unleashing the members of
his band to shine on their own solos. Trumpeter Chris Botti started the song
out with a nice solo, and kept Sting on his toes throughout the song.
Manu Kache (drummer) showed of his French language skills during the rap
section (both in the middle and at the end of the song), and Sting's
new keyboard player (Jeff Young) had a brief opportunity to shine as well.
Next, Sting cracked a joke about having been on the
Ally McBeal TV show the previous week: "If any of you saw me on Ally
McBeal this week, don't think you can sue me for looking at your wife!"
He then proceeded to introduce the band.
The next coupling of songs included two classics from
The Soul Cages: "All This Time", and "Mad About You". On "Seven
Days," Botti returned to the forefront for more solos.
This was followed by "Fill Her Up" and "Fields of Gold."
The first of Sting's Police hits for the night
included "Every Little Thing She Does is Magic." The whole audience
rose to its feet in one electrified moment; this is the point during
which Sting definitely won over the crowd.
"Moon Over Bourbon Street" was also well received,
especially as Botti played the longest one-note solo (probably)
ever held during a Sting concert - it must have lasted at least 30
seconds or more. But not to be outdone, Sting attempted the same thing,
as he sang the last word of the song. I think the two of them tied!
The audience was more alive than ever at this point
and heartily enjoyed clapping along to "Brand New Day" and "Englishman
in New York," the former of which also included an "echo" type of duet
between Sting and keyboardist Kipper during the middle and end portions of the song.
"Roxanne" was not a surprise in the set list, and again
the audience was happy to sing along with the "Roxann-o" chorus in the
middle and end, and cheered for Sting's signature jump at the end.
While Cheb Mami is not touring with Sting on this
portion of the tour to perform "Desert Rose," Sting did a nice job singing
(or more appropriately, humming) Cheb's opening verse.
"When the World Is Running Down / Bring on the Night"
featured the usual extended keyboard solo, performed by Young, whose synthesizer sounded more like an organ
than a keyboard for this particular solo - a nice touch to one of Sting's
all time set list classics.
For the first encore, Sting again had the audience
on it's feet for "If I Ever Lose My Faith in You" (which featured
another Botti solo) and an upbeat version of "Every Breath You
Take." The final encore featured a wonderful acoustic version of
"Message in a Bottle" which the audience adored, followed by "Fragile."
Sting actually played the last note of the song an octave lower than usual.
As usual, Sting and his band were in great shape for
the show, and their love for performing was very apparent again.
I owe a special thank you to Susan H. from Indiana for so generously
giving me her extra front row ticket! Susan is living proof that fellow Sting fans are some
of the nicest people you'll ever meet.